Antonello da Messina: St Jerome in his Study - c1475 London, National Gallery. Saint Jerome was revered as an epitome of discipline and devotion to learning, commonly presented in three distinct ways: the penitent kneeling before a crucifix, the Doctor of the church, and the man of knowledge. St. Jerome in His Study is a painting by the Italian Renaissance master Antonello da Messina, thought to have been completed around 1460–1475.It is in the collection of the National Gallery, London. "St. Jerome", also preserved in the National Gallery, is a carefully executed picture, pleasing to the eye; the studio is vaulted, ... VENTURI, Antonello da Messina in THIEME AND BECKER, Allgemeines Lexikon der … Art in Italy | Antonello da Messina, Saint Jerome in his Study Antonello da Messina arrived in Venice in the winter of 1474-75, staying there until the autumn of 1476. St Jerome in His Study, oil painting by Antonella da Messina, via Wikimedia. (en) Penny Howell Jolly, « Antonello da Messina's “Saint Jerome in His Study” : An Iconographic Analysis », The Art Bulletin, vol. Antonello da Messina is an important figure in the history of art. Caroline Campbell, the National Gallery's Director of Collections and Research, discusses the early Renaissance painter Antonello da Messina's painting, 'Saint Jerome in his Study'. Antonello da Messina, properly Antonello di Giovanni di Antonio, but also called Antonello degli Antoni and Anglicized as Anthony of Messina (c. 1430 – February 1479), was an Italian painter from Messina, Sicily, active during the Italian Renaissance. St. Jerome Penitent and Abraham Served by the Angels are two paintings by the Italian Renaissance master Antonello da Messina.They are housed in the Pinacoteca Civica, Reggio Calabria. Saint Jerome In His Study By Antonello Da Messina Wall Art, Canvas Prints, Framed Prints, Wall Peels The picture was painted by Antonello during his Venetian sojourn, and was the property of Antonio Pasqualino. Antonello is traditionally given credit for the introduction into Italy of painting with oil glazes, a technique perfected by Jan van Eyck, where thin translucent layers of oil paint are painstakingly built up enabling the artist unparalleled scope for the depiction and modulation of detail. St. Jerome in His Study (Antonello da Messina) Sa i n t J e r o m e i n H i s S t u d y (1 4 75), A n to n e ll o d a M ess in a (1 4 3 0-1 4 7 9), ... Jerome's personality was cantankerous and he did not shy away …

Praised in fifteenth-century humanist circles for his uncanny ability to create figures "so well that they seemed alive and missing only a soul," the great Quattrocento master Antonello da Messina was born Antonello di Giovanni d'Antonio in Messina… 65, n o 2,‎ juin 1983, p. 238-253 ( lire en ligne ) Erika Langmuir , National Gallery, … Born in the fourth century, Saint Jerome was a scholar and a monk. The Italian is discernible in the nobility with which Messina invests the figures of Christ, the Blessed Virgin, and St. John. Venetian documents record his presence … His translation of the Bible from Greek into Latin is known as the Vulgate, and it is still used by the Catholic Church today. During the thirteenth to the sixteenth century, Jerome … Reading things about this magnificent painting immediately urged me to write something about the work. Antonello da Messina’s Saint Jerome in His Study is filled with numerous objects, many of which may be read through more than one perspective within the fifteenth century, and because of their relations with each other and their arrangement in the composition, these elements surrounding Saint Jerome … St. Jerome in His Study (ca.1475) by Antonello da Messina inspired me in composing the elements and building the concept of my latest painting.